The Approaching Commercial Galleries Kit

From studio to stable

Eight templates and guides for researching, approaching and joining commercial galleries, with a complete worked example. Written from the other side of the desk.

An artist standing beside his work in a gallery

Why it’s hard

Galleries rarely take artists they don’t already know

Most artists who join a commercial gallery are known to it before they’re offered a show. This kit shows you how to get known the right way, and how to be ready when a director says yes.

  • Researching the galleries that actually suit your work
  • A short, professional portfolio pack directors will read
  • Consistent prices, and what you really take home
  • Approach emails that don’t end up ignored
  • Hosting a studio visit that leads somewhere
  • Commission, consignment and the questions to ask before you sign

What’s in the kit

Eight files, ready to use

Word and Excel templates that also open in Google Docs and Sheets, plus PDF guides. Worked examples for a fictional mid-career painter show every file completed.

01 · PDF guide

How commercial galleries choose artists

How galleries work, what directors look for, and the usual path to representation.

02 · Excel

Gallery research tracker

Score galleries for fit out of 20 and track every approach.

03 · Word

Portfolio pack

Cover note, bio, statement, CV highlights and a priced list of works.

04 · Excel

Pricing calculator

Consistent prices by size, and your take-home after commission and framing.

05 · Word

Approach emails

Six emails, from the first note to a confirmed show.

06 · PDF

Studio visit checklist

Before, during and after a director visits your studio.

07 · PDF

Representation and consignment guide

Commission, key terms and the questions to ask before you sign.

08 · Excel

Consignment record

Where every work is, and whether you’ve been paid on time.

A studio corner with brushes, jars and paint tubes

Written from the other side of the desk

I ran a commercial gallery

I founded and directed ID Gallery in Paddington, representing fifteen artists across 47 exhibitions, and directed the Affordable Art Fairs in Sydney, Melbourne and Brisbane. This kit is what I wish every artist who approached me had known.

Buy the kit, $149

Want advice on your own practice?

Book a Practice Review

Ninety minutes on your portfolio, prices and which galleries to approach, with a written action plan. $295, credited if you join the retainer.

Book a Practice Review